Monday, July 7, 2008

Speaking of the issue with the Funk feature...

When I fall in love with a song, I just have to hear it over and over again. I'm sure I'm not the only one. I punch that repeat button on whatever music machine is playing my song, and then just let go. There was a pretty great mix of a Kylie Minogue song years ago that I couldn't get enough of. "Come into My World," layered over a Fischerspooner track. That Andre 3000 Polaroid shaking song I loved, too. Recently, I sing along to "Kaho Na Kaho" when I get the chance ("ye anken bolti hain, o sanam o sanam"--I'm still working on it). What on Earth does this have to do with our Funk feature?

In case you missed last Wednesday's comment by Christopher, we should let you know that "Unrequite" by Stephanie Taylor, a poem featured in Indiana Review summer 2008, got some more play on Poetry Daily last Sunday, July 6.

Go on and read it already. Again and again, if you want.

-Jenny

Funk direct

The first winner in our series of contests this month is Brooklyn of Carmel, Indiana. Brooklyn's e-mail arrived in our inbox lightning fast with the correct answer to our question: In which 1985 movie did the Godfather of Soul, King of Funk, Hardest Working Man in Show Business, ultra-funky James Brown appear?

The answer is none only than Rocky IV. Congratulations, Brooklyn! And thanks so much to everyone else who participated in the contest. Stay tuned for another question this Wednesday, for another chance to win a free copy of the summer 2008 issue.

Wednesday, July 2, 2008

On your mark...get set...Funk!

It's giveaway time!

Question of the day:
The Godfather of Soul, King of Funk, Hardest Working Man in Show Business, ultra-funky James Brown appeared in which 1985 movie?

Be the first to email us (inreview@indiana.edu) with the correct answer and receive a *free* copy of our summer issue 30.1. How funky is that!

Winner will be announced Monday, July 7. Next giveaway will posted Wednesday, July 9.

Monday, June 30, 2008

Five Hump Days of Funk

For those of you from the Midwest, or for those of you that just visit, you know that July here is a time of great lu-fuki*. So we're celebrating with an Indiana Review 30.1 (summer 2008) giveaway each Wednesday of the month.

Here's how it's going to work: on Wednesday, we'll ask a question, you'll answer it an an e-mail to us, and we'll select a winner based on response accuracy first, and then on response speed. The following Monday, we'll announce who gets the copy of the issue.

The first contest is this Wednesday, July 2. We're looking forward to sharing the Funk with you!


*"strong body ordor" and "positive sweat," from the Ki-Kongo

Wednesday, June 25, 2008

With Great Sadness

We received word that poet Aleda Shirley passed away earlier this week after a long battle with cancer.

She was the author of three collections of poetry, Dark Familiar (Sarabande Books, 2006), Long Distance (Miami University Press, 1996), and Chinese Architecture (University of Georgia Press, 1986), which won the Poetry Society of America's Norma Farber First Book Prize. She received, among many other awards, fellowships from the National Endowment for the Arts, the Kentucky Arts Council and the Mississippi Arts Council.

More information about Shirley can be found here. A review of Dark Familiar by former IR poetry editor Hannah Faith Notess can be found here.

She will be greatly missed.

Monday, June 23, 2008

Numero uno

Every once in a while, people ask (and sometimes Indiana Review staff even gives a talk on) how to get published. Of course, every magazine's staff might respond in a way that's ever so slightly different. However, there are three big things, I would say. Let's do this countdown style:

Number three: just keep sending your work out. We get to read a lot of stuff here, and we like a whole lot more of it than we can really publish. I've read work that our editors have chosen to pass on appear in the pages of some really nice journals. We're all just people reading your work--not quality-tabulating machines. So don't necessarily take a rejection as a sign that what you sent was no good. (On the other hand, it wouldn't be wise to assume that a rejection results merely from a matter of taste, either.) Of course, if you're sending your work to a lot of places at once, you'll want to make sure you notify everyone else once a piece gets picked up for publication somewhere.


Number two: read the magazine. A number of magazines might have this listed as numero uno. And it definitely helps to have an understanding of what kind(s) of material you might find in a particular journal. Indiana Review, we believe, represents an array of voices, styles, themes, etc--so sometimes the most we can say is that what we like is what's good. Read the magazine. You'll see what we're talking about.


Number one: read the guidelines. Read the guidelines and follow them. The staff of some magazines might just chuck your whole submission if you don't. For the most part, we try to be a little more understanding than that, but it makes our jobs harder when those who submit don't follow the guidelines. That's not something I'd imagine a submitter would want to be remembered for. And we do remember.


The importance of number one becomes ever clearer during a contest. We do our best to track down writers whose entries are missing pieces, but there's a lot of correspondence going back and forth during a contest. Making sure you've followed the guidelines will give both you and us a little peace of mind.

Wednesday, June 18, 2008

Today in History

On June 18, 1815, Napoleon Bonaparte was defeated at the Battle of Waterloo. What's this got to do with anything literary related? For one, it resulted in the proliferation one of the greatest palindromes in the English language: Able was I ere I saw Elba.

Aftermath of the battle included Napoleon's exile to St. Helena, half a century of international peace in Europe, and a handy example of metaphor/synecdoche/metonymy: Napoleon lost at Waterloo (part for the whole)...Johnny met his Waterloo...etc.

Also, enjoy the ABBA (palindrome!):



--Nina